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A 2015 digital switchover is absurd | Tony Stoller
There are still seven crucial issues to iron out with DAB – and each is a potential deal-breaker
So the House of Lords has woken up to the absurdity of 2015 as a switchover date for digital radio. In case other politicians and government officials haven't noticed, that would mean making obsolete the vast majority of car radios, and perhaps 150m analogue radio sets. When the BBC tried to take Radio 4 off long wave in the early 1990s, middle England marched on Broadcasting House. What will they do to a government that turns off all their radio stations?
Of course the eventual future of radio is going to be digital, but that needs to be a fair time ahead if the medium is not to be badly damaged in the process. DAB – digital audio broadcast – reception remains patchy, even in locations nominally covered already. A huge amount of investment is needed, with – unlike television – no obvious use afterwards for the analogue frequencies. The flaws in DAB have been partly disguised by digital television and internet transmission. They're both valuable, but neither meets the essential need for cheap portability. How long do the batteries last on your supposedly portable DAB set? About eight hours at best?
There are still seven crucial issues to solve before starting to plan for digital switchover for radio, each of them a potential deal-breaker on its own.
Power usage – even with the new generation of microchips – makes DAB radio sets hugely less portable than analogue. Betting the house on DAB rather than newer, better technologies ensures that digital reception will remain dodgy – and why on earth go for DAB if the signal is less reliable than analogue? There is also no early prospect of finding transmission space for dozens of smaller commercial local radio stations, far less of finding a business model to make their migration to digital feasible.
The rest of the world, with a scant handful of exceptions, has decided against DAB, so there will be no mass manufacture of sets to make them as dirt cheap as we're used to with analogue. Worse still, a fifth of all radio listening is in-car, yet extensive factory-fitting of DAB radios into cars seems as far away as ever.
It is new content that will drive digital take-up yet, even leaving aside the problems facing the commercial sector, the BBC is planning to scrap two of its five digital-only channels. And the challenge of accommodating the growing new community radio services – the one undisputed success among Ofcom's radio responsibilities – simply cannot be met by the transmission arrangements currently envisaged.
Given that there is little prospect of solving any of these seven issues quickly, early digital radio switch-over seems preposterous, only to be contemplated by a government rushing to digital judgment, and heedless of the interests of radio listeners. The last thing under-funded radio needs just now is to be distracted by out-dated technological determinism. Tens of millions of people value radio just as it is, with the prospect of digital as a welcome step at the proper time. But the proper time is not 2015, nor anything like it.
Tony Stoller was chief executive of the Radio Authority, which was folded into Ofcom in 2003, when it put in place the present regime for digital radio. His new book Sounds of Your Life: The History of Independent Radio in the UK is published in May by John Libbey Publications
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The digital radio switchover looms | Open thread
Peers are warning that the government's programme for a digital radio switchover by 2015 are off-course. Are you all set?
The government intends to switch national and regional radio stations over to digital transmission from FM and AM by 2015. But according to an influential committee of peers, there is "public confusion and industry uncertainty" over the plans.
Between 50m and 100m analogue radios will only be able to pick up community stations after the switchover, while car radios will need converters. Critics such as the Guardian's Jack Schofield say those leading the digital switchover have built their plans around an already-obsolete system (DAB) and have failed to provide listeners with a compelling reason to invest in new sets. The BBC's recently announced axing of 6 Music and Asian Network – on top of the closure of many commercial DAB stations – has weakened the push towards digital. Last year, 66% of all listening was analogue, 21% digital – half on DAB and half through PCs – and 13% unspecified.
Where do you stand on the DAB sceptics – are they Luddites or realists? Will you be ready to rely on digital for your favourite stations by 2015?
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Absolute Classic Rock re-launch - from Radio Today
New report for Digital Upgrade - from Radio Today
6 Music: Adam Buxton and Liz Kershaw join protest at BBC
Up to 2,000 people mass at Broadcasting House to hear DJs and bands voice opposition to closure of digital station
In pictures: the BBC 6 Music protest
Adam Buxton and Liz Kershaw were among the BBC 6 Music DJs who addressed a protest against the digital station's closure outside Broadcasting House in central London over the weekend.
Estimates of the size of the protest varied between 500 and 2,000 people. Another 6 Music DJ, Tom Robinson, also spoke to the crowd, which broke into an impromptu rendition of The Beatles' Hey Jude, with the lyrics changed to "Save 6". Other 6 Music DJs including Lauren Laverne, Gideon Coe, Richard Bacon, Nemone and Richard Herring were also in attendance.
Led by Buxton, one half of the station's award-winning Adam and Joe Saturday morning show, protesters chanted: "What do we want? Leave us alone! When do we want it? For a long time."
"6 Music is the only BBC station that would ever have put our ridiculous shambolic show on the air," said Buxton. "Just when it was going really well they don't just pull us off the station they close the whole station down.
"Obviously it's not just about our show. I'm here today because like you I think it would be a really sad mistake if the BBC closed down 6 Music. It's a unique place on the radio, doing something no one else is doing and doing it really well, which I thought the BBC was supposed to be all about. I thought that's what made it unique and why we are so delighted to pay the licence fee.
"But apparently that's only partially true. Obviously it's a complicated issue and I'm sure Thommo [BBC director general Mark Thompson] and his chums are faced with a difficult job but it would be wonder if they did listen to all the people who felt so passionately about the station. If they changed their mind on this occasion I don't think they would regret it."
The 6 Music protest lasted around two hours on Saturday lunchtime, with acoustic performances by bands including All Darlin', Mirrorkicks and the Brute Chorus. It passed off peacefully, with around five police in attendance. Buxton joked: "I'm glad to see there's not been too much bloodshed."
Robinson described the station as a "centre of excellence". "The point is that you can turn on 6 Music and be reasonably sure within 10 or 15 minutes you will hear something interesting you haven't heard before," he said.
"If you don't have that centred in one place you have to go back to tuning in at 10.15pm to hear Bob Harris or 2am to hear Steve Lamacq on a bigger station."
More than 8,000 complaints have now been received by the BBC about the station's closure. The number of submissions to the BBC Trust's consultation about the closure was confirmed by the trust to be in the "tens of thousands" and is rumoured to have topped 100,000.
Kershaw, who attended the protest with her brother, Andy, a former BBC radio DJ, told the crowd: "On many radio stations doing a great job of entertaining, the music is incidental. On 6 Music the music is fundamental."
Richard Holden, one of the 6 Music supporters who attended the protest, said: "It was packed. It was mostly middle-aged, middle-class people – there was never going to be any trouble whatsoever. We had cakes, biscuits, bands playing some acoustic songs. Everything was good about it apart from the weather."
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In pictures: Save 6 Music protest
Supporters of the threatened digital radio station staged a protest outside BBC Broadcasting House on Saturday
6 Music: Adam Buxton and Liz Kershaw join protest at BBC - from Media Guardian
In pictures: Save 6 Music protest - from Media Guardian
Radio switchover 'needs greater clarity' - from Digital Spy - Broadcasting
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One of the scariest things about this [digital economy] bill is the apparent lack of awareness within government of how web technology and the knowledge economy actually works (What's left of Digital Britain?, 22 March). It seems to be all about protecting the vested interests of the big established media dinosaurs, and to hell with the needs of ordinary voters or small entrepreneurs. It's also a damning indictment of the power of lobby groups, and the weakness of our representatives. Tragic.
englishtim online
MPs haven't a clueWhat exactly do MPs know about running a TV channel? (To survive and prosper, Channel 4 needs freedom, 22 March) About as much as they do about running a country. To make complaints now that C4's digital channels won't break even until 2012 is rather foolish and I suspect if the MPs had the powers, they'd be shutting them down just as they're about to turn into profit. In the TV forums I frequent, C4's digital portfolio is generally highlighted as one of the best. Its strategy with E4 especially, of a few quality, original commissions rather than BBC3's (commission anything and everything) is paying off big time.
brekkieboy2001 online
• Next month we'll find out the size of Mr Duncan's pay-off. Given the money C4 lost on Kangaroo and the aborted DAB radio plan, shouldn't he give it back?
jon55 online
A chance for childrenBBC radio is barely fulfilling its obligation to children. The main BBC radio channels now transmit nothing specifically for them, and what we have are three hours a day on the BBC's digital channel Radio 7.
Last year the younger children's show was the subject of a takeover by the BBC television channel, CBeebies, and what goes out now at 6am each day is essentially an extension of the TV show. The hour of readings for older children, transmitted at 4pm under the title of Big Toe Books, is simply archive material drawn from the extensive backlist built up during the years when The Big Toe Radio Show was a lively interactive children's programme.
When the BBC axes the digital stations 6 Music and the Asian Network, digital radio bandwidth will be released. No new radio programmes for children are being produced, but radio is more popular than ever, the need is great, and the opportunity for a dedicated children's radio channel is about to become available. The BBC should be urged to seize it.
Neville Teller Edgware, Middlesex
- Digital media
- Digital economy bill
- Channel 4
- Television industry
- Andy Duncan
- Radio industry
- Digital radio
- BBC
- 6 Music
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